A Culture-Oriented Approach to Drama Therapy in Sri Lanka: Integrating Spiritual Concepts and Traditional Performance

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DPID: 326DOI: 10.62891/0c8b7b17Published:

Abstract

This chapter explores the unique convergence of drama therapy with the rich tapestry of cultural and spiritual practices deeply embedded within Sri Lankan society. Drawing upon the profound influence of Buddhist philosophy, and interwoven with indigenous folk beliefs, Sri Lankan drama therapy emphasizes a holistic approach to healing, prioritizing the restoration of balance and harmony across body, mind, and spirit. This emphasis aligns with the core Buddhist principle that thoughts are the precursors to emotions, highlighting the importance of cultivating mindful awareness and emotional equanimity. The study delves into the profound influence of ritualistic theatre on contemporary drama therapy approaches. An in-depth analysis of key rituals, including Kohomba Kankariya, Gam Maduwa, Bali, Thovil, and Daha Ata Sanniya, reveals how these performances, steeped in symbolism, storytelling, and community engagement, offer valuable insights into culturally appropriate therapeutic interventions. These rituals, often characterized by music, dance, and symbolic representations, demonstrate how spiritual concepts, such as the interplay of benevolent and malevolent forces, are intricately woven into the fabric of healing within Sri Lankan society.